Insight 5th Ed._Alice J. Olson

22 Fifth Edition Marquis Who’s Who INSIGHT BRODESH. HARTLEY JR. Chief Executive Officer Community Health of South Florida Inc. Miami, FL chisouthfl.org How have you navigated disruptions in your industry to remain a top professional? During my childhood, I established my faith and foundation for life with the help of my father, who was a Baptist preacher. What is the most important issue/ challenge you are dealing with in your industry? The health care industry is constantly changing, so we must remain adaptable. How do you feel your industry has changed/evolved? We have implemented new programs and initiatives from the Bureau of Primary Health Care – part of the Health Resources and Services Administration – that have helped us to provide higher-quality care. What excites you the most about your industry? Many people would not have health care access if we were not here as an organization. NANCY HOTCHKISS Realtor, Broker Berkshire Hathaway HomeServices Chicago Chicago, IL marquismillennium.com/9th_Ed/Hotchkiss/18 How have you navigated disruptions in your industry to remain a top professional? With modern technology, we provide buyers with information right away and prepare them for pre-approvals. They need to know when to jump on an opport- unity quickly, while still being subject to losing it. Realtors must be on top of their game and ready to go. The better prepared the buyer is, the better they will look to a seller. What are two key behaviors/personality traits that allow you to be effective in your role? My personality is a big part of it — being able to listen to people and understand their goals. What excites you the most about your industry? My goal and the thing that excites me the most is finding the right fit for a buyer and the seller. JAMES E. HUMPHREVILLE Music Director, Conductor Emeritus Danbury Symphony Orchestra Danbury, CT danburymusiccentre.org/artistic_staff/james-humphreville/ How have you navigated disruptions in your industry to remain a top professional? Being a conductor, as I told somebody once, is the last bow work for dictators. When it came right down to it, I would determine what we played and how we played it. It’s not a democratic situation, to say the least, but we all knew that. How do you feel your industry has changed/evolved? As I was growing up, the industry started using recordings, and professional musicians were getting shafted. In the 50s, my wife and I would go to musicals in New York, and there would be big orchestras in the pit, but as time went on, the orchestras got smaller and smaller as they got more electronic devices. For music in general it’s fine, but for the professional musicians it’s not.

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